Ceramics Monthly September 2018 Cover Artist


I’m so very honoured and humbled to have my work on this month’s cover of Ceramics Monthly. This is one of those career milestones that I’d hoped I might achieve at some far-off date in the future, so to say that I’m stunned is an understatement.

My work is also featured as part of the “Drink Up” contest in the magazine. This work was created during my time as an Artist in Residence at Sonoma Ceramics, in Sonoma California, and the cover image is from my solo show there this past June, titled “Bound”.

Originally published in September 2018 issue of Ceramics Monthly, Cover and page 37. http://www.ceramicsmonthly.org . Copyright, The American Ceramic Society. Reprinted with permission.

Clay Akar Yunomi Show

I am so pleased to have work in this year’s Yunomi Show at Clay Akar. I’ve always admired the work in this annual invitational show, so it was an honour to be invited to participate this year alongside so many talented artists. There is lots of great work available, so I encourage you to check it out at clayakar.com

Ceramics Monthly Emerging Artist

I am excited and honoured to announce that I am one of Ceramic Monthly’s 2017 Emerging Artists! I have subscribed to the magazine since I was 16 years old, so it is a thrill to be featured in the magazine. I am amongst such great company too! 19 other artists received the award, including my classmate at LSU, Mike Stumbras.

It is an exciting time for me—my thesis exhibition opens in a little over a week, and I will be wrapping up my time in Baton Rouge shortly after. It is now over four years ago that I took a big leap of faith, quit my day job, and flung myself back into a life in clay. It hasn’t always been easy, and there have been many times along the way that I have questioned wether it has been worth it. Now isn’t one of those times! I went to grad school because I wanted to make better work, and because I wanted to find my voice as an artist. Three years later, and I feel proud of the work I make, and excited to share it with the world.

Thank you to all who have supported me in this journey (specifically my parents). I couldn’t have done it without their love and support.

Originally published in May 2017 issue of Ceramics Monthly, page 60. http://www.ceramicsmonthly.org . Copyright, The American Ceramic Society. Reprinted with permission.

MFA Thesis Exhibition – Trace

My thesis exhibition, titled Trace, will be opening in just two weeks. Full details can be found below. I would love to see you there!

What: Trace, MFA thesis exhibition by Naomi Clement
Where: Glassell Gallery, 100 Lafayette Street, Baton Rouge, LA
When: April 25 – 29
Reception: April 29, 6:00 – 8:00 p.m.

Vote Naomi!

In case you haven’t already heard, I am pleased to announce that I am running for the position of NCECA Student Director At Large.

As many of you know, community involvement has been, and continues to be integral to my own growth as a student, maker, and educator, so I am eager to help make these experiences more accessible to the next generation of students. I’ve got lots of ideas, and am particularly interested in how to make NCECA more accessible to international students and educators.

To learn more about why I want this job, and why I think I would be good at it, check out this video:

I’m really excited for this opportunity and would be most grateful if you would consider voting for me, and/or sharing my video online to your social networks in the coming weeks.

Voting opens February 1, and anyone who is a current NCECA member (you don’t even have to go to the conference) can vote online — it’s super easy. See below for full details on how to vote.

How to vote:

Elections will open February 1, 2016 and will be conducted via SurveyMonkey. All current members prior to January 29, 2016 will receive an evite to vote. A second round of voting evites will go out after the close of Advanced registration on March 1, 2016. If you joined membership after this date, please notify candice@nceca.net or communications@nceca.net to receive your evite. All votes must be cast by 4pm, Friday, March 18, 2016. If you become a member while at conference, please see Candice at registration to get set up for voting.

Summer Happenings…

This has been my grad school motto thus far...

This has been my grad school motto thus far…

So my first year of Grad School is officially all done, and I learned a few things. Which really is a good thing, seeing as how I’m back in school and all…

First off I learned that updating the blog is just not going to happen while I’m in school. Mostly because I’m really busy and have other priorities. Such as eating and sleeping. But also because things are changing so quickly with me and my work, and I simply need time to digest it all. In the studio one minute I think “Eureka! This is IT. I’m really on to something.” Then the next minute, I want to rip it apart. Literally. So I’m going to try and spare you all from the eclectic “hot-mess” that is my studio life, until I feel a little more at home with it.

However, in the mean-time I wanted to let you know of a few cool things I have coming up this summer:

First up is Watershed!!! I am so very thrilled to be one of four artists invited by Martina Lantin and Joshua Hebbert to the first session of the season at Watershed, from June 7-19. The theme for this session is Collective Making, and I will be joined by fellow invited artists Patrick Coughlin, Bryan Hopkins and Elenor Wilson. I’ve always wanted to go to Watershed, and have heard great things about both Joshua and Martina, so I really can’t wait. And, after a year of feeling pulled in so many different directions (studio, classes, teaching, etc.) it is going to be such a treat to have a full two weeks of pure, unadulterated studio time.  I promise to take lots of pictures and post them here when I’m done.

After Watershed, I’m heading up to the Great White North for a visit home. I’m most looking forward to seeing family and friends again, but I’m also really excited to be giving a workshop in my home town of London, Ontario (we have a Thames River and everything).  This two-day, hands-on workshop which is hosted by the London Potters Guild, will be held at the fantastic new London Clay Arts Centre (LCAC). Through the tenacity and vision of its members, after 13 long years, the LCAC is now housed in a guild-owned and operated, state-of-the-art, 7,000 square foot facility in the heart of London’s Old East Village. It is a beautiful space and a fantastic community, and I’m honoured to be giving a workshop there.

Date: Saturday, June 27 & June 28, 2015
Time: 9:30 am to 4:00 pm both days

>> Learn more and register here. 

Stories I Tell Cup Photos & Postcards

For all of you who have been curious about my Stories I Tell Cup Project I have finally posted photos of both the recipients and their postcards here on my website >>.

To refresh your memory, the Stories I Tell Cup Project was a collection of cups that I made, which were given away, free of charge to members of the public throughout my solo exhibit Stories I Tell in Medalta’s Yuill Family Gallery, with the goal of making handmade objects more accessible and illustrating how their use can enrich ones daily life.

In exchange for the cup, recipients were asked to send a postcard to the artist with a short story or reflection on using the cup and were encouraged to tag tweets and photos to #storiesitell.

I would like to extend my heartfelt thanks to everyone who took part in the Stories I Tell Cup Project. I fell truly lucky to have met you all and so grateful that you shared your stories with me. Throughout this process I have been humbled by your honesty and generosity—I learned so much more than I had envisioned at the start of this process, and I thank you for that.

View all of the photos and postcards here >>

Stories I Tell - Cup #23

Willow – Cup #23

Here We Go…

#1 on my list of things I never want to do again!

#1 on my list of things I never want to do again!

Sorry for the radio silence over the past month folks, but it has truly been one for the record books. Here is a brief recap of the last month via the stats:

  • 5226 kilometers (3247 miles) of driving
  • 4 provinces
  • 8 states
  • 1 border
  • 1 broken transmission
  • 1 new car
  • 1 UHaul truck
  • 1 ferry ride
  • 1 new apartment
  • 6 bottles of bourbon (not all consumed yet!)
  • 39 cups of coffee
  • 1 new studio
  • Many new friends.

Oh, and approximately one million bugs on the windshield.

After a bit of a rough start (my old car drew its last breath just 2 hours into the first leg of my trip), I have finally arrived in Baton Rouge, Louisiana – my home for the next three years as I attend graduate school at LSU.  I’ve spent the past 10+ days settling into both my new home and my new studio, getting to know the town (which I’ve largely been doing via the many wonderful places to eat here!), and adjusting to the heat. Any personal qualms I had about wearing shorts went out the window within the first day of arrival, as the average high here has been around 36C with a humidity level of about 84%!

The past few days have been full of various orientations at school, and seeing that I’ve been out of school for over a decade and went to a pretty small art college (less than 1000 students) I’ve been making a concerted effort to join in everything I can here at LSU, and really soak in all the things that a big school like LSU has to offer (more on that later…).

Classes start Monday – and I am equal parts excited and terrified. When in doubt, I plan on falling back on the school saying/motto:


New Work

Thanks to Diane & Cecil Finch, I now have lovely photos of my lovely new work (at least, I think it is lovely work!). This body of work was created in the final months of my residency at Medalta for my solo show titled Stories I Tell, which is at Medalta’s Yuill Family Gallery, from June 19 – July 26, 2014.

As always, I look forward to hearing your thoughts.